Jane Bloomfield

Lady Writer on The TV

When my mum was freshly separated from my dad my

sister and I went with her on job interviews in downtown Auckland

we sat in our mustard-coloured VW beetle on Queen Street and waited

I guess we were given instructions | be good don’t touch the knobs or

turn the key don’t talk to strangers don’t spend the bridge toll money

one time we did talk to a stranger

a tall thin bearded hippy dude in a muslin shirt and cross-body tasselled bag

we’d locked the keys in the car

Mum had taken too long

we needed help to pop the lock

Jesus and his patchouli vibes were still hanging about with his imaginary coat hanger

when she appeared apologetic and guilty and grateful

he had one of those permanent 70’s stoner smiles

and was soon in our Bayswater villa adding a heaped teaspoon of salt to mum’s once

delicious now ruined pea and ham comfort in the big soup pot on the stove

I can still see on tip toes that white sodium bomb hovering over the sea of sweet green

he wasn’t her type at all long unbrushed hair bare feet as slow as a sloth in denim flares

while she your Mary Quant minis patents and blonde hairpieces on black velvet combs

just the way that her hair fell down around her face those wigs lived on stands

she must have eventually told him where the bus-stop was up at the Belmont shops or

drove him down to the Devonport ferry so he could drop one and dissolve back to the city

Mum got the job as in-house model for Everard Rogers Knitwear

she was the ultimate solo yummy mummy of two before they were a thing

hey man she wasn’t even twenty-seven

our rabbit eared TV was black and white and played Disney movies

once a week on Sundays

Rapunzel Tie Up Your Golden Hair

 In preparation for leaving home for boarding school

at aged 12 rising 13, a sort of coming of age took place.

My Mum booked me into Luigi’s Hair Salon, Hastings

I had a mouth full of wire, train tracks and rubber bands

hauling a row of bucked teeth back into my face no

modern mane makeover would disguise.

I wept silently as my long blonde last summer of freedom

hair and lash skimming fringe fell to the checkerboard vinyl

black and white, plain as day, I emerged mouse brown

a short wedge accentuating my round face cheek dusted

freckles and fangs.

 

I wondered if Luigi took pleasure in my metamorphosis

everyone but me declared my uglification a success

I didn’t need a short back and sides, hair ties were cool in ’77.

A photographer was promptly booked, Mum now keen

to record the occasion of her pixie coiffed daughter.

I hunched in shame in my newly sewn apricot linen shirt

against a sad mottled brown backdrop as the camera flashed

in memory. And sat on the mantlepiece for years in tragic testament

to this painful adolescent period until a silent concession took

place and that portrait, still in its studio monogrammed

cardboard frame disappeared to a box in the garage

where it belonged.


Jane Bloomfield is a newly published poet based in Queenstown, New Zealand.

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