Anne Rankin

The Illusion of Finding the Therapeutic Dose

      If many remedies are prescribed for an illness, you may be certain the illness has no cure.

      —A. P. Chekhov, The Cherry Orchard

 

Too many weeks after the pills finally convinced me

to swallow, the meds begin to work:

My brain inhales

the flames of their mystery dance—

 

& music’s a Thing again. Birds singing

could be(?) spilling the secrets of Eden,

or something that golden.

I imagine bEEs knEE-dEEp

in the swollen dust of pollen. Foods persuade me

of their close resemblance to mann(aah). I get

how the day lilies prEEn for the sun,

listen hard for the sweet WOW-

ness in everything, ingest all

the hues I can muster. Whatever

can be gathered by way of perception

gleams & whist!les, is cool or s(of)t

to the touch—however I prefer to take it in.

Clouds find a way to leave, finally

see their EXIT→ signs.

I remember the reason not to say

why I always feel like dying.

 

But            all of this will be short-lived.

Doses will slowly be raised, yet

brain will fall,/fail

to understand the point

of rising. Bit by bit, colors will slip

loose from their textures,

& sounds begin to dim

their wits;

the only way to discern the world

is through a straw—

paper, of course.

Back to the bell jar again, forgetting

there was ever air available,

misplacing my motive to breathe.

 

                                                               Still,

the opening act is quite a thrill,

when happiness seems so doable,

& all my senses rise from their dead(end)ness,

my will to live drenched in the hopes

of the moon-fed dew, so relieved

to get to be without a clue

. . . what comes next.

 

On the Other Side of Blood

The blood I remember most is out-of-nowhere blood, the muddy feel of it

in my mouth that night the tornado smacked our house & spit

me out. The grass was gone—ripped up & replaced by a bloodied

field of stuff that didn’t belong. I was six. In shock. In the dark. The sky

raced to empty all the rain it held at once. My jaw tore away

from the leash of its bones & didn’t know why. Only seconds before,

 

I’d been standing warm & dry in the dining room, wondering

why the street lights had gone from on to dark. In the wounds

of weeks that followed, I mazed my way alone

through two surgeries & dozens of little roommates

fussed over by moms & dads who studied the crusted blood on my face

with a mixture of pity & forced cheer—while

my parents never came to see me after that first night.

 

That first night, all I knew was Something had moved me

from the dining room to this moment of blood,

sitting cold & wet in the front yard’s remains,

an ice-driven rain stitching clothes to my skin

as I gingerly moved my first two fingers

around the mess where my teeth used to be.

 

Later I realized what the blood was,

the hows & whys of its liquid scream.

That first night, I couldn’t tell you

what the blood tasted like—

I’d swallowed a river of fear.

As I watched myself outside myself,

 

waves of shock shook me into knowing

the grownup meaning of blood

& a bitter truth:

what had been ripped out

was Something More than

eight baby teeth.

 

Blood was a dream I was in.

On the other side of waking

was a storm I could not name.

Dog Gone Grief

After he died, my dog became

a completely different sort of person.

What his death unleashed

has left him rather low.

He sleeps more than ever before:

so tired his sighs collect and comprise

his only form of exercise.

Most days, you’ll find he’s kind

of glued to the floor (or

couch, as I’d never say No).

And he only jumps

up for meals, and rarely even

for those, since he eats less

than normal much so.

(But seems to weigh more?)

He looks over at his toys

like he doesn’t understand

something he used to

be able to know.

Plus that ball he adored,

the one for him alone

I’d happily, lovingly

throw and throw—

it just won’t let go.

 

Still growls at strangers, though.

He will always do that. 


Anne Rankin’s poems have appeared in The Healing Muse, Hole in the Head Review, Atlanta Review, Comstock Review, Whale Road Review, and Kelp Journal. She has work forthcoming in The Bluebird Word, kern, Boomer Lit Magazine, Rattle, and Maine Public Radio’s Poems from Here. She lives in Brunswick, Maine.

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