Trish Hopkinson

Aftermath: ~48 Hours

The hallways stink of chemical

cleansers & bleach, too bright,

brighter than the dim rooms

where vampires fill tubes with your blood

 

every four hours. I write

on the whiteboard: 4am blood test.

I write it in red. They take your blood

to a lab before they taste it. They season it

 

with salt for flavor—your sodium 

entirely too low, your glands wrecked,

knocked senseless by pavement.

The nurses are confused. They think

 

you’re the monster. I think they are

Annie Wilkes. They tether your feet

to the bed & Velcro your wrists to rails

to keep you from pulling

 

staples out of your head

with your fingernails. They think

your chipped black nail polish means

you’re an angry young man.

 

They ask: Is he an angry young man?

I scream in my head: No, he’s a peaceful vegan.

The scream pounds the walls

of my skull with your fists.

 

Your head aches when Nurse Wilkes

is late. It hurts so much you cry.

I write it in red. I write the type

& time: Tylenol: 6am, 12pm, 6pm, 12am

 

Oxycodone: 8am, 12pm, 4pm, 8pm, 12am

Shift change: 7am / Doctors rounds: 9am

All must go on the whiteboard. All

staff names must be spelled correctly.

 

I fold down the back cushions

on the sofa & lie here

while you are still. Scrubs walk by

pushing a cart. I look at the clock:

 

4:13am. I look at the whiteboard.

A couple of hours before Tylenol,

I roll to my side & cover my feet,

close my eyes, look at the clock

 

& whiteboard. Scrubs walk by

without a cart. Machines hum.

Something beeps. I close

my eyes, look at the red.


Intensive Care

IV might fail     heart rate might lower     aide might be late for their shift     man next door with whom you share a nurse      might go into cardiac arrest      just before your medication is due     you might wake up angry     you might wake frightened     you might not          I might stand bedside      monitoring every machine   listening in on the staff   making sure    to make sure      breaks           are important     I’m sure    I ate quickly in the cafeteria   I’m sure my panic remained     what if what might happen is preventable    what if    I’m the one to prevent it     press the call button      ask a question      insist on another scan     something as simple      as walking five minutes away     some small luxury becomes        the split second shim      between life      & letting it slip

 

To My Unconscious Son

Is it wrong for me

to be grateful your face is unharmed?

You, laid out on a tilted hospital bed.

Me, not knowing where your mind is now

—if you are at all, if you will wake.

 

Your body will heal

if your brain does—the brace holding

your neck, mattress supporting your fractured

vertebrae and pelvis, pillow indented

where your skull has been sewn and stapled.

 

I’m selfish

in this moment, relieved even, that I can see

your calm expression without visible injury.

If someone saw you now, they’d think

you were sleeping; they’d not know

 

the peril your body is in,

wouldn’t know you aren’t dreaming—or are you?

Will you be able to tell me what you are thinking

if you are thinking at all in these hours

of absence from the living?

 

I didn’t know whom

to call this morning—extended family,

close friends. I know I should be telling someone

where we are, what has happened.

But I just want to wait—

 

I somehow don’t think

about the chance you may not be the same,

that the last time we spoke will have been

the last time. No, my imagination

won’t let me wander to the worst.

 

There seems no possibility

for any other outcome. I don’t stop

looking at you, your skin still warm, without

the paleness of one who is dying—somehow

that’s enough to let me know

 

here in this room

with the clock clicking and scent of disinfectant

—a mother and son alone but for the hum

of machines and shuffling of strangers

on the other side of the door and

 

the sunrise edging in.


Back to Life

You buy your first bicycle since the pickup truck assault.                    

It’s matte black, the color of asphalt.

You name it Deathwish.

I wish you’d named it Unridden.

You post photos of you standing beside it,

helmet on your head, six months healed.

Your sense of humor still intact.                        Mine, not so much.

I tell myself, your odds are better now.         But odds

are not the same as probability.           The risk

    of being killed skydiving

is one in a hundred thousand.

    Dying in a car? Fifteen times more likely

                          than on a bike.

What are the statistics

          for outliving one’s children?

   In 2015, there were 818 bicyclist deaths—

almost 819, still

     less than 2% of traffic fatalities

               but not less than the number of times

       I feared

         you wouldn’t make it home.

How many breaths     did it take           to revive you?

How many pumps on                     your chest?

Some stranger’s palm thrusting                        into your ribs,

their lifeline drawing                         your line of fate.

I’m relieved you can’t recognize

   the one who saved you,

      don’t remember

     your body tossed into the air        like a coin on a bet.

Note: These poems were previously published in A Godless Ascends (Lithic Press, 2024)


Trish Hopkinson is a poet and advocate for the literary arts. You can find her online at SelfishPoet.com and in western Colorado where she runs the regional poetry group Rock Canyon Poets and is a board member of the International Women's Writing Guild. Her poetry has been published in Sugar House Review, TAB: The Journal of Poetry & Poetics, and The Penn Review; and her most recent book, A Godless Ascends, is forthcoming from Lithic Press in March 2024. Hopkinson happily answers to labels such as atheist, feminist, and empty nester; and enjoys traveling, live music, and craft beer.

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